Western Facade of the Cathedral of Granada
The main entrance to the Cathedral of Granada is on the western side. Mostly a work of painter/architect Alfonso Cano, the western facade fell short of its planned grandeur. Cano envisioned two bell towers 81 meters tall flanking both sides, but his death and a lack of funds, resulted in the construction of only one bell tower with a final height of 57 meters.
Bell Tower of the Cathedral of Granada
The main entrance to the Cathedral of Granada is on the western side. Mostly a work of painter/architect Alfonso Cano, the western facade fell short of its planned grandeur. Cano envisioned two bell towers 81 meters tall flanking both sides, but his death and a lack of funds, resulted in the construction of only one bell tower with a final height of 57 meters.
Western Facade of the Cathedral of Granada
The main entrance to the Cathedral of Granada is on the western side. Mostly a work of painter/architect Alfonso Cano, the western facade fell short of its planned grandeur. Cano envisioned two bell towers 81 meters tall flanking both sides, but his death and a lack of funds, resulted in the construction of only one bell tower with a final height of 57 meters.
East Facade of the Cathedral of Granada
Santa Iglesia Catedral Metropolitana de la Encarnación de Granada, or simply, the Cathedral of Granada, originated when when King Ferdinand and Queen Isabella expelled the last of the Moorish rulers from Spain in Granada in 1492. A papal bull that year authorised the beginning stages of a new cathedral to be built. When the cathedral was conceived in the early 16th century, grandson and successor to the Catholic Monarchs, Charles V (or Carlos I of Spain) intended it to be a mausoleum for Spain’s monarchs. Construction began in 1523, but by the time it was completed in 1704, some 181 years later, that idea had been chucked out the window.
The Foot of the Nave with West Door of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
The Foot of the Nave with West Door of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Nave of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Nave of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Nave of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Chapel of the Virgin on the Pillar (Capilla Virgen del Pilar) of the Cathedral of Granada
Together with the chapel on the opposite side of the cathedral, the Chapel of the Virgin on the Pillar Capilla Virgen del Pilar was the last to be decorated. The chapel was completed in 1785 as the burial site of Archbishop Antonio Jorge y Galbán. The central altarpiece and sculptures are by Juan Adán y Morlán.
Chapel of St. Michael (Capilla San Miguel)
The completion of the Chapel of St. Michael (Capilla San Miguel) in 1807 concluded over two hundred years of chapel decoration in the cathedral. On the gospel (left) side of the chapel is the funerary monument of the chapels patron, Archbishop Juan Manuel Moscoso y Peralta ( 1789-1813).
South Side Aisle of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Detail of the Sculpture Group above the Main Altar of the Chapel of St. Michael (Capilla San Miguel)
The completion of the Chapel of St. Michael (Capilla San Miguel) in 1807 concluded over two hundred years of chapel decoration in the cathedral. On the gospel (left) side of the chapel is the funerary monument of the chapels patron, Archbishop Juan Manuel Moscoso y Peralta ( 1789-1813).
Gospel Side (Left) Organ in the Catehdral of Granada
Orignally flanking the choir, the organ is now part of the nave, as the choir was moved in 1926.
Organs and Apse of the Cathedral of Granada
Unlike in many cathedrals, the cupola sits above the chancel, rather than the crossing (where the transepts cross the nave). Decorating the upper level are paintings of the life of the Virgin by Alfonso Cano and his students.
Capitals of a Pier in the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Meghan Ponders a Chapel in the Cathedral of Granada
Santa Iglesia Catedral Metropolitana de la Encarnación de Granada, or simply, the Cathedral of Granada, originated when when King Ferdinand and Queen Isabella expelled the last of the Moorish rulers from Spain in Granada in 1492. A papal bull that year authorised the beginning stages of a new cathedral to be built. When the cathedral was conceived in the early 16th century, grandson and successor to the Catholic Monarchs, Charles V (or Carlos I of Spain) intended it to be a mausoleum for Spain’s monarchs. Construction began in 1523, but by the time it was completed in 1704, some 181 years later, that idea had been chucked out the window.
Chancel and Dome in the Apse of the Cathedral of Granada
Unlike in many cathedrals, the cupola sits above the chancel, rather than the crossing (where the transepts cross the nave). Decorating the upper level are paintings of the life of the Virgin by Alfonso Cano and his students.
Tabernacle of the Cathedral of Granada
Made by Francisco Hurtado Izquierdo and José Bada, the tabernacle is topped by a sculpture of Faith. Faith is complemented by sculptures of the other two Christian virtues, Charity and Hope, which top the two pulpits.
Gospel Side (Left) Pulpit of Cathedral of Granada
Both pulpits are are baroque and date from the 18th century. Covering the sides of the gospel (left, facing the altar) side pulpit are reliefs the four evangelists - Matthew, Mark, Luke, and John, Atop the pulpits are Hope on the epistle (right facing the altar) side and Charity on the gospel side, and the third Christian virtue, Faith, adorns the tabernacle in the center of the chancel.
Cupola of the Cathedral of Granada
Unlike in many cathedrals, the cupola sits above the chancel, rather than the crossing (where the transepts cross the nave). Decorating the upper level are paintings of the life of the Virgin by Alfonso Cano and his students. The stained glass of the cupola by the Dutchmen, Teodor de Holanda, and Juan del Campo depicts scenes from the Passion.
Detail of the Gospel Side (Left) Pulpit of Cathedral of Granada
Both pulpits are are baroque and date from the 18th century. Covering the sides of the gospel (left, facing the altar) side pulpit are reliefs the four evangelists - Matthew, Mark, Luke, and John, Atop the pulpits are Hope on the epistle (right facing the altar) side and Charity on the gospel side, and the third Christian virtue, Faith, adorns the tabernacle in the center of the chancel.
Equestrian Statue of St. James on the Triumph of St. James (Triunfo de Santiago) Altarpiece in the Cathedral of Granada
This altarpiece, Triunfo de Santiago, or Triumph of St. James, was made by Francisco Hurtado Izquierdo in 1707/8, and the central equestrian sculpture is that of the apostle St. James by Alonso de Mena. The apostle St. James the Greater is the patron saint of Spain, as legend has it that he came to preach on the Iberian peninsula.
Triumph of St. James (Triunfo de Santiago) Altarpiece in the Cathedral of Granada
This altarpiece, Triunfo de Santiago, or Triumph of St. James, was made by Francisco Hurtado Izquierdo in 1707/8, and the central equestrian sculpture is that of the apostle St. James by Alonso de Mena. The apostle St. James the Greater is the patron saint of Spain, as legend has it that he came to preach on the Iberian peninsula.
Cupola of the Cathedral of Granada
Unlike in many cathedrals, the cupola sits above the chancel, rather than the crossing (where the transepts cross the nave). Decorating the upper level are paintings of the life of the Virgin by Alfonso Cano and his students. The stained glass of the cupola by the Dutchmen, Teodor de Holanda, and Juan del Campo depicts scenes from the Passion.
Ambulatory of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Chapel of the Ancient Virgin (Capilla Virgen de la Antigua)
Pedro Duque Cornejo’s 1716 altarpiece is the focus of the Chapel of the Ancient Virgin (Capilla Virgen de la Antigua). It also is adorned with refilefs, paintings, and sculptures by Cornejo. The image of the Virgin is a 15th century carving by an anonymous German.
Image of the the Ancient Virgin (Virgen de la Antigua) in the Cathedral of Granada
Pedro Duque Cornejo’s 1716 altarpiece is the focus of the Chapel of the Ancient Virgin (Capilla Virgen de la Antigua). It also is adorned with refilefs, paintings, and sculptures by Cornejo. The image of the Virgin is a 15th century carving by an anonymous German.
Detail of Chapel of the Ancient Virgin (Capilla Virgen de la Antigua)
Pedro Duque Cornejo’s 1716 altarpiece is the focus of the Chapel of the Ancient Virgin (Capilla Virgen de la Antigua). It also is adorned with refilefs, paintings, and sculptures by Cornejo. The image of the Virgin is a 15th century carving by an anonymous German.
North Side Aisle of the Cathedral of Granada
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
Epistle Side (Right) Organ in the Cathedral of Granada
Orignally flanking the choir, the organ is now part of the nave, as the choir was moved in 1926.
Detail on the North Facade of the Cathedral of Granada
Santa Iglesia Catedral Metropolitana de la Encarnación de Granada, or simply, the Cathedral of Granada, originated when when King Ferdinand and Queen Isabella expelled the last of the Moorish rulers from Spain in Granada in 1492. A papal bull that year authorised the beginning stages of a new cathedral to be built. When the cathedral was conceived in the early 16th century, grandson and successor to the Catholic Monarchs, Charles V (or Carlos I of Spain) intended it to be a mausoleum for Spain’s monarchs. Construction began in 1523, but by the time it was completed in 1704, some 181 years later, that idea had been chucked out the window.
Calle Virgen del Rosario in Granada
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Fuente Isabel La Católica Y Colón in Granada
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Fuente Isabel La Católica Y Colón in Granada
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Nasrid and Charles V Palaces of the Alhambra from Mirador San Nicolas
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The Alhambra from Mirador San Nicolas
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Cuesta de Gomez, Granada
Puerta de las Granadas is at the end of Cuesta de Gomez. From there, the Access Pavilion of the Alhambra is a 15 minute walk up the hill.
Puerta de las Granadas
Puerta de las Granadas is at the end of Cuesta de Gomez. From there, the Access Pavilion of the Alhambra is a 15 minute walk up the hill.
Fountain in the Lower Gardens of the Generalife
The Generalife Palace was built in the early 14th century as a pleasure garden for the Nasrid kings. Close to but is outside of the Alhambra, the Generalife has been renovated and altered numerous times over the centuries, eventually falling into disrepair. Renovations in the 19th and and early 20th century are what gives the site its current appearance.
The Lower Gardens of the Generalife were built in the early 20th century following public pressure. The layout and species of the garden do not necessarily follow conventions of the Muslim era.
Lower Gardens of the Generalife
The Generalife Palace was built in the early 14th century as a pleasure garden for the Nasrid kings. Close to but is outside of the Alhambra, the Generalife has been renovated and altered numerous times over the centuries, eventually falling into disrepair. Renovations in the 19th and and early 20th century are what gives the site its current appearance.
The Lower Gardens of the Generalife were built in the early 20th century following public pressure. The layout and species of the garden do not necessarily follow conventions of the Muslim era.
The Court of the Main Canal (Patio de la Acequia)
Running along the center of the The Court of the Main Canal (Patio de la Acequia) is a canal was originally the source of water for the rest of the complex. In the 19th century, water jets were added. The 49 meter long patio was built in the 14th century as an interior garden for the Generalife palace.
Granada as Seen from the Generlife
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Observation Point in the North Pavilion (Pabellón Norte) of the Generalife
At the north end of the The Court of the Main Canal (Patio de la Acequia) is the North Pavilion (Pabellón Norte), which contains bed chambers, the Royal Chamber (Sala Regia), and observation point.
Patio de la Sultana in the Generalife
The Sultana's Court (Patio de la Sultana), also called Court of the Sultana’s Cypress Tree (Patio del Ciprés de la Sultana), is a U-shaped pool with a fountain standing on an island in the middle. Surrounding the court are cypress trees on the verandas.
Irrigation System for the Water Stairs (Escalera del Agua) in the Generalife
Divided into three flights, each landing of the Water Stairway (Escalera del Agua) has a fountain fed by water flowing through the handrails flanking the stairway.
The Water Stairs (Escalera del Agua) in the Generalife
Divided into three flights, each landing of the Water Stairway (Escalera del Agua) has a fountain fed by water flowing through the handrails flanking the stairway.
Patio de la Sultana in the Generalife
The Sultana's Court (Patio de la Sultana), also called Court of the Sultana’s Cypress Tree (Patio del Ciprés de la Sultana), is a U-shaped pool with a fountain standing on an island in the middle. Surrounding the court are cypress trees on the verandas.
Walls, Towers, and Church in the Alhambra Seen from Generalife
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The Alcazaba of the Alhambra from Mirador San Nicolas
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Patio of the Irrigation Ditch (Patio de la Acequia) in Generalife Palace
The walls, towers, and church of the Alhambra can be seen on the hill.
Torre de Machuca
Between the Nasrid Palaces and the Alcazaba
The Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Capital Decorated with Mocárabes in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Carved Wood Ceiling in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Tiles and Plasterwork of the Skirting Board in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Plasterwork in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Carved and Painted Wood Ceiling in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Tiles with the Double Eagle of the Habsburgs in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Tiles in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
Tiles and Plasterwork in the Mexuar in the Nasrid Palaces of the Alhambra
The Mexuar was a public reception hall for the Sultan built in the early 14th century by Isma’il. It has since undergone so many alterations and restorations that it is difficult to determine the original layout of the space. The coffered ceiling is from the Christian period. Attached to the Muxar is an oratory.
View of the Albaicín from the Oratory behind the Mexuar in the Nasrid Palaces of the Alhambra
Attached to the Mexuar is a small mosque or oratory. It was restored in the early 20th century after being nearly destroyed by a gunpowder explosion in 1590.
Plasterwork in the Oratory behind the Mexuar in the Nasrid Palaces of the Alhambra
Attached to the Mexuar is a small mosque or oratory. It was restored in the early 20th century after being nearly destroyed by a gunpowder explosion in 1590.
Facade of the Comares (Fachada de Comares) in the Nasrid Palaces of the Alhambra
Facing the Gilded Room (Cuarto Dorado) across the Patio of the Gilded Room, the Facade of the Comares (Fachada de Comares) marks the entrance to the Palace of the Comares (Palacio de Comares). Built in 1370 by Muhammad V, it separated the public and private areas of the palace, with one door leading to the former and the other to the latter.
Painted Carved Wood of the Gilded Room (Cuarto Dorado) in the Nasrid Palaces of the Alhambra
The painted Mudejar coffered ceiling gives this room its name. Part of the Comares Palace, it was built by Mohammed V. It is on the north side of the Patio of the Gilded Room opposite of the Facade of the Comares (Fachada de Comares).
Plasterwork in the the Gilded Room (Cuarto Dorado) in the Nasrid Palaces of the Alhambra
The painted Mudejar coffered ceiling gives this room its name. Part of the Comares Palace, it was built by Mohammed V. It is on the north side of the Patio of the Gilded Room opposite of the Facade of the Comares (Fachada de Comares).
Facade of the Comares (Fachada de Comares) in the Nasrid Palaces of the Alhambra
Facing the Gilded Room (Cuarto Dorado) across the Patio of the Gilded Room, the Facade of the Comares (Fachada de Comares) marks the entrance to the Palace of the Comares (Palacio de Comares). Built in 1370 by Muhammad V, it separated the public and private areas of the palace, with one door leading to the former and the other to the latter.
Court of the Myrtles (Patio de los Arrayanes) in the Nasrid Palaces of the Alhambra
The Court of the Myrtles (Patio de los Arrayanes) is at the heart of the Palace of Comares (Palacio de Comares). The palace’s rooms surround the 34 meter by 7.5 meter courtyard, which is named after the myrtle bushes that surround the central pool. To north is the Comares Tower (Torre de Comares), but the original rooms in the south were destroyed to make room for the Palace of Charles V.
Niche with Mocarabe Dome in the North Portico of the Court of the Myrtles (Patio de los Arrayanes)
Mocárabe is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Court of the Myrtles (Patio de los Arrayanes) in the Nasrid Palaces of the Alhambra
The Court of the Myrtles (Patio de los Arrayanes) is at the heart of the Palace of Comares (Palacio de Comares). The palace’s rooms surround the 34 meter by 7.5 meter courtyard, which is named after the myrtle bushes that surround the central pool. To north is the Comares Tower (Torre de Comares), but the original rooms in the south were destroyed to make room for the Palace of Charles V.
Arch Connecting the Hall of the Boat (Sala de la Barca) to the Court of the Myrtles (Patio de los Arrayanes) in the Nasrid Palaces
The Hall of the Boat (Sala de la Barca) is the antechamber to the king’s throne room, or Hall of the Ambassadors (Salón de Embajadores). It’s name is derived from odd combination of the corruption of the Arabic work for blessing, “baraka,” and the Spanish work for ship, “barca.” The latter name coming from the hull-like shape of the wood ceiling, which was destroyed in 1890 and then restored in 1965.
Hall of the Ambassadors (Salón de Embajadores) in the Nasrid Palaces
Situated in the Comares Tower (Torre de Comares), the Hall of the Ambassadors (Salón de Embajadores) was known as the Throne Room and was the location of official receptions. It is square in shape (11.3 meters on a side) and is topped with an ornate dome depicting the representation of the Islamic universe.
The 45 meter tall Comares Tower (Torre de Comares) is at the north end of the Palace of the Comares (Palacio de Comares) and contains the Hall of Ambassadors and its antechamber, the Hall of the Boat.
Plasterwork in the Hall of the Ambassadors (Salón de Embajadores) in the Nasrid Palaces
Situated in the Comares Tower (Torre de Comares), the Hall of the Ambassadors (Salón de Embajadores) was known as the Throne Room and was the location of official receptions. It is square in shape (11.3 meters on a side) and is topped with an ornate dome depicting the representation of the Islamic universe.
The 45 meter tall Comares Tower (Torre de Comares) is at the north end of the Palace of the Comares (Palacio de Comares) and contains the Hall of Ambassadors and its antechamber, the Hall of the Boat.
Coat of Arms of the Emerite of Granada in Plasterwork in the Hall of the Mocarabes (Sala de los Mocárabes)
Originally a vestibule to the Palace of the Lions (Palacio de los Leones), the Hall of the Mocarabes (Sala de los Mocárabes) was badly damaged in 1590 and demolished. It was partially replaced in the 17th century with the current structure. The name comes from the original dome covering the room - Mocárabe is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Patio of the Lions (Patio de los Leones) in the Nasrid Palaces of the Alhambra
Built by Muhammad V in the late 14th century, the Patio of the Lions (Patio de los Leones) is at the center of the Palace of the Lions (Palacio de los Leones). Named after the fountain in the middle of the courtyard this made of 12 water-jet lions supporting a basin, the Patio of Lions is flanked on north by the Hall of the Two Sisters (Sala de Dos Hermanas), the Hall of the Kings (Sala de los Reyes) on the east, and the Hall of the Abencerrajes (Sala de Abencerrajes) on the south.
Patio of the Lions (Patio de los Leones) in the Nasrid Palaces of the Alhambra
Built by Muhammad V in the late 14th century, the Patio of the Lions (Patio de los Leones) is at the center of the Palace of the Lions (Palacio de los Leones). Named after the fountain in the middle of the courtyard this made of 12 water-jet lions supporting a basin, the Patio of Lions is flanked on north by the Hall of the Two Sisters (Sala de Dos Hermanas), the Hall of the Kings (Sala de los Reyes) on the east, and the Hall of the Abencerrajes (Sala de Abencerrajes) on the south.
Patio of the Lions (Patio de los Leones) in the Nasrid Palaces of the Alhambra
Built by Muhammad V in the late 14th century, the Patio of the Lions (Patio de los Leones) is at the center of the Palace of the Lions (Palacio de los Leones). Named after the fountain in the middle of the courtyard this made of 12 water-jet lions supporting a basin, the Patio of Lions is flanked on north by the Hall of the Two Sisters (Sala de Dos Hermanas), the Hall of the Kings (Sala de los Reyes) on the east, and the Hall of the Abencerrajes (Sala de Abencerrajes) on the south.
Plasterwork in the Hall of the Mocarabes (Sala de los Mocárabes)
Originally a vestibule to the Palace of the Lions (Palacio de los Leones), the Hall of the Mocarabes (Sala de los Mocárabes) was badly damaged in 1590 and demolished. It was partially replaced in the 17th century with the current structure. The name comes from the original dome covering the room - Mocárabe is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Vault of the Hall of the Mocarabes (Sala de los Mocárabes) in the Nasrid Palaces of the Alhambra
Originally a vestibule to the Palace of the Lions (Palacio de los Leones), the Hall of the Mocarabes (Sala de los Mocárabes) was badly damaged in 1590 and demolished. It was partially replaced in the 17th century with the current structure. The name comes from the original dome covering the room - Mocárabe is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Carved Wood Door in the Nasrid Palaces of the Alhambra
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Cupola of the Hall of the Abencerrajes (Sala de los Abencerrajes) in the Nasrid Palaces
Opposite the Patio of the Lions (Patio de los Leones), this room is similar in structure to the Hall of the Two Sisters (Sala de Dos Hermanas). Legend has it that the Abencerrajes knights were beheaded here, and the name followed. The dome is mocárabe, which is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Detail of the Cupola of the Hall of the Abencerrajes (Sala de los Abencerrajes) in the Nasrid Palaces
Opposite the Patio of the Lions (Patio de los Leones), this room is similar in structure to the Hall of the Two Sisters (Sala de Dos Hermanas). Legend has it that the Abencerrajes knights were beheaded here, and the name followed. The dome is mocárabe, which is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Plasterwork in the Hall of the Abencerrajes (Sala de los Abencerrajes) in the Nasrid Palaces
Opposite the Patio of the Lions (Patio de los Leones), this room is similar in structure to the Hall of the Two Sisters (Sala de Dos Hermanas). Legend has it that the Abencerrajes knights were beheaded here, and the name followed. The dome is mocárabe, which is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Arches in the Hall of the Abencerrajes (Sala de los Abencerrajes) in the Nasrid Palaces
Opposite the Patio of the Lions (Patio de los Leones), this room is similar in structure to the Hall of the Two Sisters (Sala de Dos Hermanas). Legend has it that the Abencerrajes knights were beheaded here, and the name followed. The dome is mocárabe, which is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Cupola of the Hall of the Two Sisters (Sala de Dos Hermanas) in the Nasrid Palaces
At the north side of the Patio of the Lions (Patio de los Leones), the Hall of the Two Sisters (Sala de Dos Hermanas) was the at the center of the living area of the sultana and her family lived. The dome is mocárabe, which is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Tile in the Hall of the Two Sisters (Sala de Dos Hermanas) in the Nasrid Palaces
At the north side of the Patio of the Lions (Patio de los Leones), the Hall of the Two Sisters (Sala de Dos Hermanas) was the at the center of the living area of the sultana and her family lived. The dome is mocárabe, which is the ornamental, stalactite work used in Islamic architecture and seen in many parts of the Alhambra (in domes and arches, mainly).
Daraxa's Mirador (Mirador de Daraxa) in the Nasrid Palaces
Draxa's Mirador (Mirador de Daraxa) is a small rectangular room on the north side of the Hall of the Two Sisters (Sala de Dos Hermanas) overlooking the Court of Lindaraja (Patio de Lindaraja). Initially, the mirador, or observation point, served as a lookout over the Granada countryside, but the view was blocked when the Emperor’s Chambers were built in 1532 for Charles V.
The Albaicín District in Granada Seen from the Nasrid Palaces
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Court of Lindaraja (Patio de Lindaraja) in the Nasrid Palaces of Alhambra
The Court of Lindaraja (Patio de Lindaraja) is a courtyard built between 1526 and 1538 when the Emperor’s Chambers were constructed, which forms its northern border.
Central Hall of the Bath of Comares (Baño de Comares) in the Nasrid Palaces
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Stone Mosaic in the Patio de Lindaraja in the Nasrid Palaces
The Court of Lindaraja (Patio de Lindaraja) is a courtyard built between 1526 and 1538 when the Emperor’s Chambers were constructed, which forms its northern border.
The Court of the Fig Tree in the Nasrid Palaces of Alhambra
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Water Channel in the Nasrid Palaces in the Court of the Fig Tree
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Tower of the Mihrab (Torre del Mihrab) in the Nasrid Palaces
East of the portico of El Partal is the Tower of the Mihrab (Torre del Mihrab) containing a small oratory, claimed to be the only free-standing preserved mosque in Granada.
Palace of the Portico (Palacio del Pórtico) in the Nasrid Palaces of Alhambra
East of the Palace of the Lions (Palacio de los Leones), is El Partal, an area of structures around the Palace of the Portico (Palacio del Pórtico) that includes a pool, the Tower of the Ladies (Torre de las Damas) and the Tower of the Mihrab (Torre del Mihrab). It may have been built by sultan Muhammad III in the early 14th century, which would make it the oldest palace in the Alhambra.
Carved Woode Vault of El Partal in the Nasrid Palaces
East of the Palace of the Lions (Palacio de los Leones), is El Partal, an area of structures around the Palace of the Portico (Palacio del Pórtico) that includes a pool, the Tower of the Ladies (Torre de las Damas) and the Tower of the Mihrab (Torre del Mihrab). It may have been built by sultan Muhammad III in the early 14th century, which would make it the oldest palace in the Alhambra.
Dating from the 13th century, the Tower of the Ladies (Torre de las Damas) stands behind the Palace of the Portico (Palacio del Pórtico). A carved wooden ceiling formerly located in the tower now resides in the Pergamonmuseum in Berlin.
Goldfish in the Pond of El Partal in the Nasrid Palaces
East of the Palace of the Lions (Palacio de los Leones), is El Partal, an area of structures around the Palace of the Portico (Palacio del Pórtico) that includes a pool, the Tower of the Ladies (Torre de las Damas) and the Tower of the Mihrab (Torre del Mihrab). It may have been built by sultan Muhammad III in the early 14th century, which would make it the oldest palace in the Alhambra.
Dating from the 13th century, the Tower of the Ladies (Torre de las Damas) stands behind the Palace of the Portico (Palacio del Pórtico). A carved wooden ceiling formerly located in the tower now resides in the Pergamonmuseum in Berlin.
Bell Tower and North Facade of Santa María de la Alhambra Seen from El Partal
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
El Partal in the Nasrid Palaces
East of the Palace of the Lions (Palacio de los Leones), is El Partal, an area of structures around the Palace of the Portico (Palacio del Pórtico) that includes a pool, the Tower of the Ladies (Torre de las Damas) and the Tower of the Mihrab (Torre del Mihrab). It may have been built by sultan Muhammad III in the early 14th century, which would make it the oldest palace in the Alhambra.
Dating from the 13th century, the Tower of the Ladies (Torre de las Damas) stands behind the Palace of the Portico (Palacio del Pórtico). A carved wooden ceiling formerly located in the tower now resides in the Pergamonmuseum in Berlin.
El Partal in the Nasrid Palaces
East of the Palace of the Lions (Palacio de los Leones), is El Partal, an area of structures around the Palace of the Portico (Palacio del Pórtico) that includes a pool, the Tower of the Ladies (Torre de las Damas) and the Tower of the Mihrab (Torre del Mihrab). It may have been built by sultan Muhammad III in the early 14th century, which would make it the oldest palace in the Alhambra.
Dating from the 13th century, the Tower of the Ladies (Torre de las Damas) stands behind the Palace of the Portico (Palacio del Pórtico). A carved wooden ceiling formerly located in the tower now resides in the Pergamonmuseum in Berlin.
Stairs Connecting El Partal to Gardens in the Nasird Palaces
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The Mexuar Torre de Comares of the Nasrid Palaces on the Left, Palacio de Carlos V on the Right
Intended to be a residence for the Habsburg kings of Spain, the Palace of Charles the V (Palacio de Carlos V) never served as a residence. Completed after 113 years of construction, it now houses the Museum of the Alhambra
Palacio de Carlos V at the Alhambra
Intended to be a residence for the Habsburg kings of Spain, the Palace of Charles the V (Palacio de Carlos V) never served as a residence. Completed after 113 years of construction, it now houses the Museum of the Alhambra
Granada as Seen from the Alcazaba of Alhambra
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Torre de la Vela (Left) Rises above Torre de las Armas (Right) at the Alcazba in Alhambra
Built in the 13th century by the founder of the Nasrid dynasty, Muhammad I, the Watch Tower (Torre de la Vela) was one of the first major fortifications of the Alacazaba. It’s almost 27 meters tall, and in the 18th century, a bell was placed on the tower to warn Granadians of danger and indicate to farmers times to water their crops.
Stairs Descending from Torre Homenaje in the Alcazaba at Alhambra
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The Walls of the Alcazaba of the Alhambra
Greatly improved in the 13th century by the founder of the Nasrid dynasty, Muhammad I, the Alcazaba is the military fortress of the Alhambra. It is one of the oldest parts of the complex, dating as far back as the 9th century, with evidence of a Roman fortification on the site.
Cathedral of Granada from Torre de la Vela of the Alcazaba at the Alhambra
With design and construction beginning in the early 16th century, the Cathedral of Granada is a relatively latecomer to the club of great Spanish cathedrals. The earliest part of the temple, the Royal Chapel, has traces of the fading Gothic style, but it’s predominantly of the Renaissance. It’s plan is nominally a Latin cross, but the double side aisles and columnar chancel give the appearance of a rectangular plan.
The Walls of the Alcazaba and the Tower of Arms (Torre de las Armas) (below) of the Alhambra from Torre de la Vela
Providing access to the neighborhood of Almanzora, the Tower of Arms (Torre de las Armas) was a gate into the Alcazaba.
Plaza de las Armas in the Alcazaba of the Alhambra
Arms Square (Plaza de Armas) is within the inner walls of the Alcazaba and was devoted to housing the military personnel of the Alhambra.
Inside Palacio de Carlos V
Intended to be a residence for the Habsburg kings of Spain, the Palace of Charles the V (Palacio de Carlos V) never served as a residence. Completed after 113 years of construction, it now houses the Museum of the Alhambra
Nave of Santa María de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Pulpit of Santa María de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Nave of Santa María de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Main Altar in Santa María de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Chapel in Santa María de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Cupola of Santa María de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Irrigation Channel in the Alhabra
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West and South Facades of the Santa Maria de la Alhambra
Santa María de la Alhambra was from 1581 to 1618 on the site of the Alhambra’s Great Mosque.
Palacio de Abencerrajes in theV illage of the Alhambra (Madinat al Hamra)
The Madinat al Hamra was the village near the royal complex of the Alhambra that housed the high-ranking court officials. In the Madinat al Hamra were administrative and religious facilities as well as a few palaces and gardens.
The Royal Canal (Acequia Real) of the Alhambra
Water was brought to the Alhambra from the Darro river and into the the Royal Canal (Acequia Real). A series of waterwheels and water deposits fed from the canal irrigated the Alhambra’s palaces and gardens.
The Royal Canal (Acequia Real) of the Alhambra
Water was brought to the Alhambra from the Darro river and into the the Royal Canal (Acequia Real). A series of waterwheels and water deposits fed from the canal irrigated the Alhambra’s palaces and gardens.
Gate of Justice (Puerta de la Justica)
Built in 1348, the Gate of Justice (Puerta de la Justica) is one of four gates in the Alhambra’s walls.
Nave of Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Pupit of the Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Cupola of Iglesia de Santos Justo y Pastor in Grananda
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Image of the Virgin in the Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Side Chapel in the Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Nave of Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Relief of St. Paul on the South Facade of the Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
The facade was built in the 18th century by José de Bada and features scenes of the history of the Jesuits, a relief of the conversion of St. Paul, and a statue of St. Ignatius.
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Dome of the Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor)
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
East Facade of the Church of the Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor) in Granada
Initially built as the Church of St. Paul, by the Jesuits in 1575, it was confiscated in 1767 when the order was suppressed. In 1799, it became the the parish church of Saints Justo and Pastor (Parroquia de los Santos Justo y Pastor).
Hall of the Boat (Sala de la Barca) in the Nasrid Palaces
The Hall of the Boat (Sala de la Barca) is the antechamber to the king’s throne room, or Hall of the Ambassadors (Salón de Embajadores). It’s name is derived from odd combination of the corruption of the Arabic work for blessing, “baraka,” and the Spanish work for ship, “barca.” The latter name coming from the hull-like shape of the wood ceiling, which was destroyed in 1890 and then restored in 1965.
